Parisian shoe designer Christian Louboutin has some tips for people: slow.
“I always design flat shoes and that i love them, but high heels produce a woman much more aware of her body,” he says.
In the fast-paced world with people always rushing, christian louboutin australia says he likes things that make people decrease.
“If you walk across the road slowly, maybe someone will pick you up,” he says with a laugh and a twinkle in their eye. “That doesn’t happen when you are running around.”
The designer’s cheeky, relaxed attitude shines through. He often delights Hong Kong fans with chatty shoe signings and parties. Notably unpretentious, while many of the fashion elite are now being chauffeured around in shiny black cars for fashion week, Louboutin is seen zipping between Paris shows on his little moped.
At 54, they have turned his love for se-xy footwear right into a global empire, encompassing not only men’s and women’s shoes, but bags, accessories and beauty, nail varnish and, recently, perfume.
His reasoning behind women’s beauty originates from rebelling from the naturalism so popular in 1970s France when he was growing up. And with those early stiletto heels that had been just getting into vogue in early ’90s, managed to take advantage of a whole new feeling of fragility and power in feminine glamour. It’s with the exact same attitude that he’s created his beauty and perfume range.
He is clad in deep red, the signature hue of his famous soles, and wearing two-colour lace-up brogues from his men’s line, which has found popularity in Asia.
“If you gaze at busts of Nefertiti, she is gorgeous, she has this skin that’s not white, nor black. The eyes are huge, the eyebrows are very well drawn. She’s so striking. It’s not just a natural look. Nevertheless I that way sort of beauty – that timelessness on this dramatic beauty over thousands of years.”
As a child growing up in the ’70s in France, when actresses and actors “were all grumpy”, that trend being “super natural, with no make-up, flat shoes, dirty clothes and being quite grungy; when everything was related to femininity was badly considered”, didn’t sit well with Louboutin.
“I never understood why femininity was associated with stupidity in France then. I never accepted that. It didn’t mean almost anything to me, this preconceived idea.”
It was actually female performers and musicians that actually began to alter the mould, he recalls: “First Blondie, then the likes of Tina Turner and Madonna, who indicated that glamour could possibly be empowering for females.
“From what I remember, I’ve been designing shoes from age 12 or 13. It didn’t really happen to me as a job at the time, I had been just always obsessed and louboutin melbourne, the reason is quite simple,” he says.
The shoe obsession started after he visited a museum beside his parent’s Parisian apartment, with beautiful parquet flooring. On the wall there was a poster of any high-heeled shoe from the ’50s and it was crossed outside in red, which means that high heels were forbidden to guard the ground.
“I was thinking such a stupid and strange high thin heel,” he adds, “this is in the ’70s, therefore we didn’t have shoes that way. This all went into my head and so i started to sketch nervously.”
His first passion was always showgirls and cabaret, and after being expelled from several schools (“typical teenager stuff, nothing too serious”) Louboutin finished up doing work in a cabaret at age of 17.
“I desired to take action for showgirls so that as I used to be sketching shoes on a regular basis, I place the two together and that was my first job. I might come where you can different drawing for every dancer … it was a very good way starting to understand shoes because of the movement.
“I always did everything by accident. I call it a pleasant accident. It’s challenging to decide yourself what your lifestyle will probably be. Should you be obsessed with what your life should be, I feel it will probably be tough,” he says.
It had been a humble start, with little pay, along with the young designer soon sought out more formal training. He cold-known as the house of Christian Dior and audaciously required to speak with “the 61dexjpky director”. In the story that is now a part of fashion history, Dior’s director of haute couture picked up the device and agreed to a conference to look at this unknown young man’s designs. She was impressed and arranged a training job for him with the Charles Jourdan factory outside Paris.
During the early 1992, Louboutin had started their own label in a shop beside a fantastic gallery. Business was swift and straightforward, since passing foot traffic through the gallery included “fine arts and antique dealers and customers”.
That business flourished and converted into a worldwide empire over more than two decades. His designs have already been much coveted and referenced in films and songs; now, he remains probably the most copied show designers in China. Cue multiple collaborations, celebrity fans, soaring sales along with a bag range. Louboutin makes one of the most of his bold and sometimes outrageous aesthetic.
Now, with stores worldwide, buy louboutins doesn’t show any signs of slowing.
For many his commercial success, the organic path of Louboutin’s career is pretty astounding. And just about impossible had he started off in today’s arena of fashion.
Even the iconic red lacquered sole (a brandname signature where he fought against the Yves Saint Laurent house in US courts) came as another (almost) happy accident.
“In 1992 a part of my collection was inspired by pop art, Andy Warhol and all that. It was actually bright colours to the lining, the heel … I wanted a shock of colours.
“When the first prototype came, it looked good yet not quite right. I was checking out the shoe, and that i looked underneath on the sole and thought, that’s lots of black over a shoe full of colour. My assistant Sara was painting her nails inside the room at the time, and i also grabbed the nail polish and I said I wish to try something began painting the only. It looked perfect – much like the essence of my sketch.”
It was an easy move to colour the soles so brightly, but also in footwear at the time, a progressive one. Today, the flash of a red sole on a couple of heels like a woman walks away is part of the fashion vocabulary.